There is no real direction here, neither lines of power nor cooperation. Decisions are never really made – at best they manage to emerge, from a chaos of peeves, whims, hallucinations and all around assholery.

She touched the edge of its voluptuous field, knowing it would be lovely beyond dreams simply to submit to it; that not gravity's pull, laws of ballistics, feral ravening, promised more delight. She tested it, shivering: I am meant to remember. Each clue that comes is supposed to have its own clarity, its fine chances for permanence. But then she wondered if the gemlike "clues" were only some kind of compensation. To make up for her having lost the direct, epileptic Word, the cry that might abolish the night.

He decided that we suffer from great temporal homesickness for the decade we were born in.

Some of us are afraid of dying; others of human loneliness. Profane was afraid of land or seascapes like this, where nothing else lived but himself.

What’s this? What are the antagonists doing here – infiltrating their own audience? Well, they’re not really. It’s somebody else’s audience at the moment, and these nightly spectacles are an appreciable part of the darkside hours of life of the rocket capital. The chances for any paradox here, really, are less than you think.

The anarchist is dressed all in black. In the dark you can only see his eyes. It dates from the 1930's. Porky Pig is a little boy. The children told me that he has a nephew now, Cicero. Do you remember, during the war, when Porky worked in a defense plant? He and Bugs Bunny. That was a good one too.

You know what a miracle is. Not what Bakunin said. But another world’s intrusion into this one. Most of the time we coexist peacefully, but when we do touch there’s cataclysm.