Imagine what Masaccio or Leonardo would have done if they had an instrument with which they could point, push a button, and get an image.

The question is not whether a picture is good, in some formal, technical sense, but, does it mean what I need it to mean? Writers can edit sentences that may be well-crafted but that don't express an intended thought. But in photography, there are no revisions: A photograph is in or it's out, and the photographer must live with the consequences of his or her choices.

Imagine what Masaccio or Leonardo would have done if they had an instrument with which they could point, push a button, and get an image.

Straight photography, following the medium, is intoxicating - trying to wrestle it into the form of a poem.

I approached photography the only way that I knew how to approach anything: as a job. I would get up, photograph all morning, stop and have lunch, and then, photograph all afternoon. I didn't think that I had to wait for some inspiration.