For me, storytelling is all about how we learn about each other. I'm so curious about people, what makes them tick, why they are who they are, and how we all relate to each other, despite the fact that we may not think that we do.

Even if you go out there and try to make the most vanilla, non-offensive TV show possible, people are going to criticize you for doing that. It's just part of the game. You can't let it get to you.

I don't speak a lot when I get home, during the season. It's great. I just get to sit and listen. My wife gets to tell me whatever she wants to tell me, and I don't talk. I'm too exhausted to talk, so I'm a very good listener.

The way I try to explain it the best is that if Critic A from publication A hates our show, and Critic B from publication B loves our show, what are we supposed to do with that? We have to just respect everyone's opinions and go on making the show we want to make. I've never worked on a show that was altered by critical reception. You just can't afford to do that. So in that regard, it's actually no different that working in theater. It's just a lot more voices.

I'm so super interested in what it is to stir things up and to listen to people.

I am very interested in asking questions, and I am very interested in being involved in shows that ask people to think and feel.

The media plays an essential role in our culture. It is the Fourth Estate; it's an undeniably essential instrument in the great American experiment - in keeping our democracy functional. People have very strong opinions about what that means and how information should be disseminated to a population that requires information.