Technology has just been the major progression of the last 15 years - instant communication. That stuff has gone so global. That's what's interesting about it. When someone sits down in front of a computer, it's the same everywhere in the world, and it's the same screen looking back at you with the same Google, and there's no individuality to it. So I decided it would be kind of visually uninteresting to have in my films.

I have a romantic comedy I'd love to make, but I can't get the money for it. It's hard to get people to give you money for an arty romantic comedy when you've done a horror movie. So I can just sit there and keep complaining about that, or I can go make another horror movie this year. People will get behind me on that, because I'm relatively bankable. As long as I can do my own thing with it, I'll keep doing it.

If you make just a straight scary movie, people are just - you don't know what they're thinking.

Really, I wanted to make a movie [Valley Of Violence] about: How does violence affect people? This is a take from me on how violence affects people.

I found Jumpy on YouTube. I wrote a movie about a guy with a dog and was like, "What have I done? This is going to be a nightmare. We're a small movie and we're never going to be able to do this."

In general, I go to see the stuff that for me is, "Thank God for that actor, he's doing something that I never imagined; thank God for this filmmaker, because if this person didn't exist, this movie wouldn't exist." That's why I go to the movies. That, to me, is what's so exciting about this movie.

Everything Jumpy could do [in Valley of Violence] was too much. If I put it in the movie you would all check out. When he wraps himself up in the blanket, that's as far as I could go, and that's not even close. The dog's amazing.