I'd be a sucker for a guy who wrote me a song,” I said. “Like Beth or Rosanna or Sara. Or Sharona. Is that too much to ask? To be somebody's Sharona?

I just happen to comprehend the low standards of the majority of the music-buying public, and I don’t care how condescending that sounds, it’s true. They always go for the shiny gimmicks. Always.

You know what I was thinking about on my way home? How different my life would be if you’d made that gash a little deeper. Or how different yours would be if I’d vaulted myself off a roof nine years ago. Do you ever think about things like that? Like, if either you or I wouldn’t have made it, where would the other one be right now? It was something I thought about all the time: how death changes every remaining moment for those still living.

I was having an epiphany. A moment of supreme clarity, leading to what I dubbed a “realization of solitude” that goes like this: I’m lonely. But when I left that girl in the window I was sure I’d never felt more godforsaken in my life. There’s a big difference between being alone and being lonely. And I’m guessing that once you’ve discovered this distinction you can’t go back to solitary confinement without serious emotional repercussions.

And no matter what anybody says about grief and about time healing all wounds, the truth is, there are certain sorrows that never fade away until the heart stops beating and the last breath is taken.

Personally, I don’t like inherently happy people. I don’t trust them. I think there’s something seriously wrong with anyone who isn’t at least a little let down by the world.

To Jacob the act of critiquing art was essentially imprecise. That's why he didn't read reviews on anything he liked, be it a book, a movie, or a record. He believed that any work an artist puts forth which contains the truth as he or she sees it is worthy of consideration, and any commentary of the work beyond that is nothing more than pure individual opinion and should not be considered relevant to the work itself.