We [ with Ewan McGregor] decided exactly what we would do at every moment, what the texture would be.

There's nothing I'm particularly keen to hide about my humanity.

A large part of my filmmaking self has to do with my love of being in the cinema audience, and my relationships to what I want to see on the screen, what I have seen on the screen and what I don't want to see on the screen again.

This is the launch of the Doctor Strange film interpretation, of - in my view - a classic, which has been interpreted many times by other graphic artists and this is just our graphic interpretation of The Ancient One. I would say the whole approach is about a kind of fluidity.

Well the truth is, everybody, when they die, leaves a void that cannot be filled.

The great news is that that sort of group of people and that sort of sensibility is beginning to become more active again. And I think partly it just has to do with the time. It has to do with the culture of resistance. The necessity is for us to pull together and to speak up and to make work and be visible.

We're living in a new Beat time, in my view. And it's very difficult for us to hang on.