I was not, and am not, officially a producer of that film [I am love] but the work of what a producer does I learned at that stage and to a certain extent I've been a producer ever since.

I have this very strange relationship with my work, which is that it's like a conversation between me and it.

Alexander Trocchi was an existentialist. He was looking at an alienated artist in the post-war period. It's modern because it applies now as well.

Most of us live our whole lives without having an adventure to call our own.

Sexuality is, of course, a great way of having a conversation between people.

This film [Teknolust] in particular, showing the way in which having a sexual dialogue with someone can be something developing and changeable and maybe uncomfortable and complicated. Just complicated and human, no more and no less.

How do we identify ourselves, and how do we settle into other people's expectations for our identity?