I've always liked monster movies and I've always been fascinated by - again, growing up in a culture where death was looked upon as a dark subject and living so close to Mexico where you see the Day of the Dead with the skeletons and it's all humor and music and dancing and a celebration of life in a way. That always felt more of a positive approach to things. I think I always responded to that more than this dark, unspoken cloud in the environment I grew up in.

No matter what you go through with the business side or the Hollywood side at the end of it all, when you are there on the set, it is your thing. So it is your own private world and that's great. That's where you have that bubble to create something in.

People always think I get really good reviews, but I don't. That's why I don't go on the Internet much - because you can go down a dark hole looking at stuff. Once, I clicked on my name and freaked out. It's too bizarre, it's too weird, it's too unsettling.

Now 3D is no longer a fad but I don't get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It's like if a movie needs to be in black and white then that's how I will shoot it. I see color as just another character or black and white as a character.

A lot of things you see as a child remain with you you spend a lot of your life trying to recapture the experience.

Anybody who knows me knows I would never read a comic book. And I certainly would never read anything written by Kevin Smith.

And in that one grey hair I saw my whole life and I said "I think I need a hair.