It's like getting into film - I didn't say early on, 'I'm going to become a filmmaker,' 'I'm going to show my work at MoMA.' When you start to think those things, you're in trouble.

Live people ignore the strange and unusual. I myself, am strange and unusual.

It's good as an artist to always remember to see things in a new, weird way.

I never sort of really regret anything because you make your choices and I like to stand by them.

I think the thing is that you're very affected by your early life, and I think that if you ever had that feeling of outsider, or loneliness or whatever, it just doesn't leave you. You can be happy and successful, whatever, but I think that thing stays inside of you. It doesn't ever really leave you. You kind of always will have that.

And in that one grey hair I saw my whole life and I said "I think I need a hair.

I remember being forced to go to Sunday school for a number of years, even though my parents were not religious. No one was really religious; it was just the framework. There was no passion for it. No passion for anything. Just a quiet, kind of floaty, kind of semi-oppressive, blank palette that youre living in.