If you ever had a pet, with me it was a dog, with that sort of unconditional love that only dogs can give, people can't do that; that sort of thing where it's very powerful, it's kind of your first love and your first real relationship, and usually your first experience with death.

Certain things leave you in your life and certain things stay with you. And that's why we're all interested in movies- those ones that make you feel, you still think about. Because it gave you such an emotional response, it's actually part of your emotional make-up, in a way.

Nobody had his [Ed Wood's] style. That's something I try to do in my films. You have your own kind of cryptic messages in there - cryptic things that most people wouldn't understand but are important to you. Things that kind of keep you going through the process.

I have a problem when people say something's real or not real, or normal or abnormal. The meaning of those words for me is very personal and subjective. I've always been confused and never had a clearcut understanding of the meaning of those kinds of words.

When you don’t have many friends and you don’t have a social life you’re kind of left looking at things, not doing things. There’s a weird freedom in not having people treat you like you’re part of society or where you have to fulfill social relationships.

I'm a happy-go-lucky manic-depressive. It does get very deep and dark for me, and it gets scary at times when I feel I can't pull out of it. But I don't consider myself negative-negative. I'm positive-negative.

In Hollywood, they think drawn animation doesn't work anymore, computers are the way. They forget that the reason computers are the way is that Pixar makes good movies. So everybody tries to copy Pixar. They're relying too much on the technology and not enough on the artists.