As one of the first editors at 'Outside' magazine in 1975, it was my contention that most American writing going back to James Fennimore Cooper and then through Twain up to Hemingway had been outdoor writing. At that time, adventure writing meant stuff like 'Saga' or 'Argosy.' 'Death Race with the Jungle Leper Army!' That kind of thing.

A lot of us first aspired to far-ranging travel and exotic adventure early in our teens; these ambitions are, in fact, adolescent in nature, which I find an inspiring idea...Thus, when we allow ourselves to imagine as we once did, we know, with a sudden jarring clarity, that if we don't go right now, we're never going to do it. And we'll be haunted by our unrealized dreams and know that we have sinned against ourselves gravely.

For many years I thought my job was to go to places where it would be difficult for most of the readers to ever get to. Now, in the more than 20 years I've been doing this, the concept of adventure-travel trips or expeditions by groups has sprung up. The places I went 20 years ago now have adventure-travel trips.

Adventure travel existed before I started, I just didn’t know it.

My problem with most athletic challenges is training. I'm lazy and find that workouts cut into my drinking time.

Stanley Kubrick, I had been told, hates interviews. It's hard to know what to expect of the man if you've only seen his films. One senses in those films painstaking craftsmanship, a furious intellect at work, a single-minded devotion.

Charlie Patton, who was born in 1891, recorded some of the very first blues. In 'Pony Blues' and 'Peavine Blues,' he manages to pile dense layers of rhythms one upon the other.