Sometimes it's a fraught, kind of laden world of performance that I think can be really dubious, but it's also super fun to almost desecrate an instrument that for 500 years has been associated with God.

If I was completely satisfied with an album, I'd probably give it up, because that'd mean I had attained some kind of state that was greater than I'd ever hope, so I think I'd just give it up. But I don't think that's going to happen.

I'm not a peak oil person. I'm not a biohazard apocalyptic kind of freak. I don't have a supply of weapons or gold bars under my house.

You have to make rough decisions with sequencing and work within the limitations of having good audio for 15 minutes on a vinyl side.

Working with devices and guitar pedals and mixers and synthesizers is what I do, and I prefer people not focus on that because it's kind of distracting from what the point should be. At least for me, it's to have the primacy of aurality in the experience of that evening.

Sometimes it's a fraught, kind of laden world of performance that I think can be really dubious, but it's also super fun to almost desecrate an instrument that for 500 years has been associated with God.

I'm not an anti-online person. I get what the modern world's about and I understand that that's the nature of music dissemination.