You start to think, when you're finishing a record, in twelve- to fourteen-minute chunks. At a certain point, you do write to the format. It's not a coincidence that most albums are between thirty-five and fifty minutes. It's kind of like the 98-minute film. It becomes some paradigm for human attention in the media.

I'm not a nostalgic person for the glory days of 8-track sales at the local K-Mart. But there's a little bit of flattery and a little bit of horror. It's a mixture. It's like sublime shock and awe, but also terror. That's always the way I feel about how music flows through those types of networks. I'm mostly cool with it, but I definitely appreciate when people support the work.

I take the literary or textual aspect really seriously and I really enjoy writing weird album titles. I did a PhD; I enjoy writing.

I'm trying to find a way to make music work as a living. People used to make their living selling albums. Those days are over! It's kind of an odd time. I guess it's kind of like writing.

I'm not a peak oil person. I'm not a biohazard apocalyptic kind of freak. I don't have a supply of weapons or gold bars under my house.

My peer network is international. It's people all over the place who I know, and respect their work. It's not really delineated by traditional nationalist ideas.

You can't be sure there's not a God, so why live your life in hatred or the denial of that. It's better to be open to the possibility of it. Just because the whole conceit of scientism... is that our world is explained by two atoms smashing, right? Our green planet came out of that. But I just don't buy where the original line comes back to, those two atoms. The explanations aren't fully in yet.