Steven's Spielberg is one of the most visually talented and character-oriented directors I've ever worked with. And I learn from him every time I watch one of his movies. Good or bad - and he has made some awful movies - they're never uninteresting. He's made four or five of the greatest movies of all time. Perfect movies, like E.T. or Schindler's List or Saving Private Ryan.
Tim MathesonTo me, as a director and an actor, that's the main thing. "What's the heart of this story? What's the humanity of this story? And if the movie doesn't have it, then why am I watching it?" Even if it's a silly comedy, like Superbad or Knocked Up - Judd Apatow, I love, because he's all about heart. The humor comes out of the humanity.
Tim MathesonAnd it soon became obvious to me that I had to process and keep my relationship with my ex-wife separate from that of my children. They didn't need or want too much personal information about our relationship. Change is good, and ultimately, creating a new path at this point in my life is energizing, creative, and rejuvenating.
Tim MathesonI'd come up with one leg in theater, but never my first leg. I loved the camera too much.
Tim MathesonIt's the kind of sage wisdom coming from a guy who was 25 at the time, but already had 20 years of experience. Kurt Russell is a wonderful actor and a great guy.
Tim MathesonIt started with Ronald Reagan, when he took away the financing to the California universities. It used to be cheap to send your kids to the UCs. They'd call it an investment, because the more you educate people, the more they'll pay in taxes, because they'll get better jobs. But Reagan said, "No, it's a cost, so you're going to have to pay the cost." So now people can't afford to get an education. Anyway, I don't want to get too political, but yeah, I think the spirit of this country is finally coming back, and hopefully it will triumph.
Tim MathesonJohn Belushi infused Animal House with this spirit of guerilla filmmaking. John Landis came from that world too, and all the National Lampoon writers were from that world. It was just chaos on film. Controlled chaos, though. We stayed very close to the script. It was a very formal kind of movie, if you look at it. Formally photographed and structured, with certain elements of improv.
Tim Matheson