The core of Animal House was about prejudice, about equality, and about inclusion/exclusion. It was about a group of people who were together and anything went. Anybody who wanted in could get it in. Then there was that other group that nobody could get in, unless they were white, and just alike. It was very representative of the culture in the '60s, '50s, and '40s in America.

To me, as a director and an actor, that's the main thing. "What's the heart of this story? What's the humanity of this story? And if the movie doesn't have it, then why am I watching it?" Even if it's a silly comedy, like Superbad or Knocked Up - Judd Apatow, I love, because he's all about heart. The humor comes out of the humanity.

I used to take acting so seriously, but after we did the Quest pilot and the show sold, Kurt Russel said, "You know, you work too hard. You'll make yourself sick. You can't work that hard doing a series, because it goes on so long. It's like a baseball season. You've got 162 games. You can't just go all-out the first week or two. You can't maintain that pace." And it's true.

As a director, I know everybody's job, and I know how to do it. I can smell bullshit when someone's telling me it can't be done, because I've seen it done a hundred thousand times.

Going through a divorce after twenty-five years of marriage was the most difficult time for me. It was challenging to reorient my life from being centered around family, a family home, and a long-term relationship.

I love JFK. My mother had been a worker on his campaign and adored him.

I allow myself to have my feelings of disappointment and discouragement, but never to sit and wallow in them. I meditate on positive energy, goals, and long-term happiness. Life has its ups and downs, so to expect otherwise is setting yourself up for disappointment.