One problem when you get energy and want to go with it is that with so large a cast of talented people, you have to wait three or four shows for some 'meat.'

What helped me get the part was that I turned it down. When I read the script, Venus was just a black guy who came in wearing a big coat and a hat and making jive talk. I'd been up for so many of those! I'd had enough of caricatures, what white writers conceive blacks to be. I told the producer I wasn't interested in doing anything like that for three or four years. He said that it was just a pilot, that Venus would be given a human dimension and would be quiet off-the-air. I wanted that input. I thought that side was as important as the comic side. For 'WKRP,' too much of either would be bad.

Young kids are taking Viagra, ecstasy. They even want instant sex.

Why would you create a movie for black people if you don't understand the history and perspective of the people you are doing it for? You need historical perspective to make sound decisions.

The business is so upside down now. It's not just about the bling-bling.

A film should be an experience. You should feel something. It should motivate you to feel something.

How did we suddenly become entranced with gangster culture? I saw it this morning on campus. When did the black community say we should all look like criminals?