I get invited to an awful lot of Jewish functions.

Doing TV is a different kind of language.

I have come close to producing films. But generally by the time they hit the screen, there's about 50 people with producer credits, so what's the point. I usually find scripts I like with no money attached and take them to producers that I know and try to raise finance.

I don't care to analyze acting. On the other hand there is a fascination because distributors are putting out British films. You get films here with great performances you'll never see again. Why compare. We should go after the businessmen.

I can't do anything else. So if this falls through, I'm screwed.

You read a script and its based on 'Reservoir Dogs' and 'Pulp Fiction', and it goes right in the bin.

The only thing I won't do is theater.