Life is wild by definition. And organic existence is violent. Though I find this hard to accept. And I know it goes against the cultural grain of therapeutic smoothing so dominant in what we like to call 'cultural discourse'.

Truly brave people accept that they may not see victory in their own lifetime. You just keep at it for the sake of those who come after you. You might not win but you stand a better chance by doing something.

Different tenses and perspectives offer you different things. It helps to distinguish the world that they are in.

In Australia surfing was for the oiks. It was always rebellious. And sadly it was for a long time a bit unreflective and macho and anti-intellectual. Unlike other sports it was essentially a youth cult, like rock and roll. But like rock and roll its people grew up.

I never start with what lots of people think of as a subject or a theme. They're school words, not art words. So, writing essays busts my arse because the art is in addressing the subject. I find it really difficult and monstrously time-consuming. In an essay I need to employ my imagination but it's indentured in a way it's not when I'm free to make everything up.

The night is full of stories. They float up like miasmas, as though the dead leave their dreams in the earth where you bury them, only to have them rise to meet you in sleep. Mostly the scenes are familiar, but sometimes everything is strange, the people unknown.

For a while Australians were desperately trying to be cosmopolitan. I think it is a pointless exercise. Australian novels are those rooted in Australia, with Australian landscapes and colours. My work has always had bits of Western Australia in it. It is always here. The world comes to us.