So, in "Melting Pot" the children (about a third of whom were kids of color) sang the line, "America was the new world and Europe was the old," in one stroke eradicating the narratives of indigenous persons for whom America was hardly new, and any nonwhite kids whose old worlds had been in Africa or Asia, not Europe.
Tim WiseIf you know the history of the whole concept of whiteness if you know the history of the whole concept of the white race, where it came from and for what reason you know that it was a trick, and it's worked brilliantly. You see, prior to the mid to late 1600s, in the colonies of what would become the United States, there was no such thing as the white race. Those of us of European descent did not refer to ourselves by that term really ever before then.
Tim WiseSo, in "Melting Pot" the children (about a third of whom were kids of color) sang the line, "America was the new world and Europe was the old," in one stroke eradicating the narratives of indigenous persons for whom America was hardly new, and any nonwhite kids whose old worlds had been in Africa or Asia, not Europe.
Tim WiseAnd in "Elbow Room" the cast sings the glories of westward expansion in the United States, which involved the murder of native peoples and the violent conquest of half of Mexico. Among the lines in the song is one that intones, "There were plenty of fights / To win land right / But the West was meant to be / It was our Manifest Destiny?" Let it suffice to say that happily belting out a tune in which one merrily praises genocide is always easier for those whose ancestors weren't on the receiving end of the deal.
Tim WiseAnd let's just be honest, there is no such place called 'justice,' if by that we envision a finish line, or a point at which the battle is won and the need to continue the struggle over with. After all, even when you succeed in obtaining a measure of justice, you're always forced to mobilize to defend that which you've won. There is no looming vacation. But there is redemption in struggle.
Tim WiseHardly any aspect of my life, from where I had lived to my education to my employment history to my friendships, had been free from the taint of racial inequity, from racism, from whiteness. My racial identity had shaped me from the womb forward. I had not been in control of my own narrative. It wasn’t just race that was a social construct. So was I.
Tim Wise