I don't believe in right-angled turning points.

I'm reluctant to use the word class so much.

The classical writers... playwrights, Jacobean, Elizabethan playwrights, all showed areas of all classes and how they live and painted them pretty authentically.

Lord Chamberlain's readers or controllers, which were a handful of people working directly to him, were a very assorted group of people and some of them tried very hard to be as liberal as they could.

I don't believe in right-angled turning points.

The foyers now look ridiculously small to us because not all that many people used them.

No producer should revive a play unless they have a very good reason for it. I think there's quite enough about a good play to make it available to new audiences.