From the beginning [of the film The Darkest Hour], [aliens] it's a metaphor for the foreigners and from the beginning of the movie, American boys feel themselves like aliens here or they feel like Russians are aliens. There's misunderstanding or miscommunication. Then when the real aliens appear, together they have to fight to survive.

If you know exactly what your character knows, its a drama.

Moscow has an energy. Which is important. The city and the people all have an energy. It's quite different from what everybody knows in Los Angeles, but it has an energy. People have an energy.

From the beginning [of the film The Darkest Hour], [aliens] it's a metaphor for the foreigners and from the beginning of the movie, American boys feel themselves like aliens here or they feel like Russians are aliens. There's misunderstanding or miscommunication. Then when the real aliens appear, together they have to fight to survive.

Russian directors, we are shooting the same streets. The same things. Tom Jacobson has a fresh eye and found very interesting and very cool locations and angles and characters.

Every commercial covers different ground, different ideas, and it's my profession to direct and to tell stories - for me, it's very organic.

Its a big problem for American movies that all their movies are produced to be global.