Can you see the deaths, divorces, job losses or changes, disappointments, surprises, and successes on people's faces? Have they been happy, sad, disillusioned, or gratified? I have been trying the single, vertically shot portrait with my 8 x 10 since 1985 and never felt I succeeded in finding what I was looking for.

I sometimes get commissioned to photograph families, and they see the results and say, "Oh, I look terrible." And that's when I realize the difference between the people I choose and the people who choose me.

The conservatism is extraordinary to me; just compare the way they dress to the way their parents dress. There are still no tattoos or piercings, which is interesting to me. Why does everyone who lives in one place dress alike, look alike, eat the same thing, and decorate the same way?

I feel as if most people are pretty much the same within a certain class, due to the schools they attend and the way they are raised.

I know now that before I take a picture I have to be sure about how I feel about the subjects. What I don't know is if I should explain to them what I'm doing while I'm photographing them.

I've always said that the Europeans subconsciously knew how to pose because of the culture or tradition of having your portrait made. They were surrounded by these portraits, and subconsciously they were already posing for them.

Color is very important in my work. That comes from style. My mother was a fashion model and an interior decorator, so that was me imitating her. My closest friend's mother was the same way, and her taste rubbed off on me, too. It's a domino effect of taste permeating through people.