As soon as that little "ba-da-da-dink-dink" at the beginning of "Under the Sea" starts I think to myself: "Here we go! Let's do it!" When I first got the role, I was very intimidated because people have high expectations. But I have nothing to prove only to share. I'll do my best interpretation of what these songs should sound like in their current incarnations and it's quite an honor.

If anyone has the opportunity to work with that woman, jump at it. She is the most generous, most giving director I have ever worked with in my entire life. She is classy. She speaks a dozen difference languages.

I'm praying for healing for our nation. For retaliation that yields constructive results. Peaceful protests. We need each other.

There's a bit of a difference in the way he sounds. Samuel E. Wright lent his voice and personality to the animated film with his booming voice. I have a high-tenor voice. Instead, I have to figure out a way to convince the audience to come along with me and accept this new texture and tambour to the way Sebastian sounds. I have a great dialect coach.

I pinch myself every night when I hear the overture starting. I'm so overwhelmed by the whole process, and humbled and giddy all at the same time because I can't believe it's me that gets to sing these songs every night.

As soon as that little "ba-da-da-dink-dink" at the beginning of "Under the Sea" starts I think to myself: "Here we go! Let's do it!" When I first got the role, I was very intimidated because people have high expectations. But I have nothing to prove only to share. I'll do my best interpretation of what these songs should sound like in their current incarnations and it's quite an honor.

I wish Howard Ashman was still alive so I could just meet him and tell him his words are magic. It's so fun to say. He has such great alliteration and paints the most vivid images with his lyrics