The harmony of the universe knows only one musical form - the legato; while the symphony of number knows only its opposite - the staccato. All attempts to reconcile this discrepancy are based on the hope that an accelerated staccato may appear to our senses as a legato.

Mathematics is the supreme judge; from its decisions there is no appeal.

The practical man demands an appearance of reality at least. Always dealing in the concrete, he regards mathematical terms not as symbols or thought but as images of reality. A system acceptable to the mathematician because of its inner consistency may appear to the practical man to be full of contradictions because of the incomplete manner in which it represents reality.

The importance of infinite processes for the practical exigencies of technical life can hardly be overemphasized. Practically all applications of arithmetic to geometry, mechanics, physics and even statistics involve these processes directly and indirectly.

And so matching by itself is incapable of creating an art of reckoning. Without our ability to arrange things in ordered succession little progress could have been made. Correspondence and succession, the two principles that permeate all mathematics - nay, all realms of exact thought - are woven into the very fabric of our number system.

The harmony of the universe knows only one musical form - the legato; while the symphony of number knows only its opposite - the staccato. All attempts to reconcile this discrepancy are based on the hope that an accelerated staccato may appear to our senses as a legato.

Are not most professional mathematicians spared all trouble incident to income?