Our memories tell us who we are and they cannot be achieved through committee work, by consulting other people about what happened. That doesn't mean that at all times memories are telling us the absolute truth, but that the main source of who we are is that memory, flawed or not.

A piece of writing is a dangerous thing," he said. "It can change your life.

There's a joy in writing short stories, a wonderful sense of reward when you pull certain things off.

You boys know what tropism is, it's what makes a plant grow toward the light. Everything aspires to the light. You don't have to chase down a fly to get rid of it - you just darken the room, leave a crack of light in a window, and out he goes. Works every time. We all have that instinct, that aspiration. Science can't dim that. All science can do is turn out the false lights so the true light can get us home.

The beauty of a fragment is that it still supports the hope of brilliant completeness.

One of the things that draws writers to writing is that they can get things right that they got wrong in real life by writing about them.

I have never been able to understand the complaint that a story is "depressing" because of its subject matter. What depresses me are stories that don't seem to know these things go on, or hide them in resolute chipperness; "witty stories," in which every problem is the occasion for a joke; "upbeat" stories that flog you with transcendence. Please. We're grown ups now.