I learned that I could not do enough work; it's always incomplete. When you ask a question, the answer will raise four more questions, and those four will become eight.

The only thing worse than working acting in an airplane is working in a prison - they're cold, and the clanging and the noise, it just gets under your skin after a week.

Saw fans are manic, when it comes to details, so they're going to say, "Wait a minute! Why is that like that? It wasn't like that before." And, they're right.

Saw is like a big jigsaw puzzle. When you put a jigsaw puzzle together, you put the bottom left corner together first, and then you find yourself working on the upper right corner... Thats the way Saw plays out.

Anything that exists on the human palette is, from my point of view, fair game for artists to portray. You don't have to go see it if you don't want to, so don't go.

There are a lot of considerations that come into play when you craft one of these 'Saw' scripts, and there's only so much you can put into them.

What's interesting is that you can have a set that's very calm, very smooth, very cooperative... and end up with a terrible movie. And you can have a set that's really horrible as far as relationships and volatility, and come up with a great movie. Sometimes that energy gets infused into what ends up on film - it's interesting in that way.