Anything that exists on the human palette is, from my point of view, fair game for artists to portray. You don't have to go see it if you don't want to, so don't go.

Horror fans are very passionate people, and they are very much into the 'Saw' thing. So they watch sometimes as carefully as the writers and producers do, in terms of the way the story plays out.

There are a lot of considerations that come into play when you craft one of these 'Saw' scripts, and there's only so much you can put into them.

I'm very happy to be a part of a very successful piece of art, as the 'Saw' films have been. One gets into this to participate. It's the coming together of a good story. So, that aspect of it has been just splendid. It really has nothing to do with me or my popularity. I'm fascinated.

'Saw VI' has a really interesting theme about the ripple effect. Everything you do affects the guy next to you, which affects the guy next to him, which affects her over here. And you might think that what you're doing is not that significant, but just the way you respond to other people makes the world the way it is.

There's the moment in 'Saw' where I get up off of the floor at the end. That was shocking, because no one expects it. I thought they did that really, really well.

All I can do is do my best work, try to create the best kind of moment to moment reality that I can do. That's what I do. I'm an actor. And all the rest of it is like baseball. You hit the ball. Sometimes it goes in the hole. Sometimes it goes to the player.