I know a bit about his [Sirk] life, but it's more about his style than biography. He was European and came out of a theater background, and could easily be defined as 'Brechtian.' He was expressionistic in his films, and was an example of those intensely intellectual artists who ended up working for American studios, and was handed the Ladies Home Journal and asked to adapt the stories for the screen. He found ways to use his artistry to make them interesting and nuanced, while critiquing American values in the process.
Todd HaynesIn fact, to me it's liberating to not think of identity as some organic property that we have to find and stick to, but actually something that is constructed, or that's imposed, that we can then counter by taking a different route and re-dressing it, and then re-dressing it again, and then re-dressing it again.
Todd HaynesI'm a great admirer, fan and consumer of television. I love serial drama. I have been a major fan of HBO's series for many years.
Todd HaynesFeminist theory has left an indelible mark on my own criticalโand creativeโthinking . . . For me, everything I questioned about what it meant to be a man โ and how much my sexuality would perpetually challenge those meaningsโcould be found in arguments posed by feminists. What can I say? I identified.
Todd HaynesThe Johnny Depp generation has this kind of brooding, weighty, introspective quality, very James Deanish. Which is nice, great for a lot of characters.
Todd HaynesI came to this project and 'Far from Heaven' from completely different vantage points. 'Heaven' was of course about the Douglas Sirk films of that period, with the very specific cinematic language and style of melodrama. With 'Carol,' it was presented to me already packaged, with Cate Blanchett attached and Phyllis Nagy's script complete - when it came to me it had a long history and pre-history.
Todd Haynes