I'm a guy who likes to watch something cool, creepy and suspenseful and there is no show to watch as an adult that would scare me at for even four seconds.

Obviously Spawn was at the top of the charts at that point so you get a lot of opportunities.

The deal is that you can do it, you don't really owe me anything, but at the end of it, I own the film. Then I can actually go out and reprint or not reprint if it I want.

Anthology shows as a whole scare people. The networks can't quite get their heads around it.

About 85 percent of what you see is just because I get on the phone and [say], 'Let's go do this'. I don't do any market research or test groups or focus [groups]. I just go, 'It's my company; would I buy it, personally?'

To me, I was always just standing on the sidelines because up until issue 50, we were just doing Spawn. I wasn't recruiting anybody because I didn't have any books for people to work on.

Given that I have to share my computer with my three children, it's not usually a site that I get to spend that much time on. I'm usually on the Nickelodeon site, coloring with my little five year old or something.