You know, because you outline a movie, it kinda comes at the same time. I mean, there are days when you are just concentrating on 'ok, let's worry about just comedy today,' and there are days when you're like 'you know what, we gotta just beef up the story.'. But, it's not like process wise it's that technically separate. One informs the other, so they kinda all happen together ideally.

When I was in NYU Film School I drove a taxi in New York for two years, I felt like I owned my own business with that little taxi.

Not every movie has to serve as every audience member's need for completion.

Every weekend in history has worked for movies if the movie connects.

You set the tone on the set that you want to see in the film.

John Goodman's pretty dark - I love John Goodman.

All my movies, as I get the ability to do it, they tend to go a little darker, a little darker.