I think, in fact, there's a plus and a minus to knowing my prior work, Happiness and so forth. The plus is of course you can see how I play with the characters, the storylines, and the way things play off each other. And the minus is that it makes you a little bit more self-conscious, that you're not able to enter the movie as it exists and lives and breathes, because you're so busy making references, connections that you're not able to release yourself from and take the film on your own terms.

I always have to presume that each movie is my last movie because I never know if I'll get money again.

For me, New Jersey is kind of a mythical place. It's emblematic of a certain aspect of American life. Florida is the same way. It's where people go to recreate, to reinvent themselves. It's what California used to be. I think Florida is still a place to erase the past.

That said, be mindful, to someone who's never seen any of my work, it's just a movie with actors. So it's only those who of course know the earlier work that will see something is afoot, so to speak. But I don't want to intellectualize.

I can't please everybody and I don't try to. If I can please myself that's enough. For the rest, I just hope for the best.

I mean, I don't want to sound - of course it's very nice, people come up and say appreciative things about my work. But the loss, in terms of privacy and anonymity, is no small thing to me.

And that's just what I'm saying. I would never want to be like certain people, who change the way they dress, go out in disguise, wear a big floppy hat and dark shades. I would hate that.