I keep saying that backwards is all you can see. You can't see front. My wife says, "Stop, you're always in the past." She sees me sort of daydreaming.

When you're in a two-shot together, you can't be the same as when you're both in singles. Try as you will, it cannot be the same as when you're in the shot together. It simply cannot be. It's physically impossible. You're behind the camera desperately wanting to help your colleague. When it's just you, on your own, it can be self-conscious in a way that you're not when we're just talking, you and I, and then all of a sudden it's me and then it's you. The two-shots were probably more natural.

It was still quite late when I got married, 30s, I don't know.

I keep saying that backwards is all you can see. You can't see front. My wife says, "Stop, you're always in the past." She sees me sort of daydreaming.

I never did anything about my stardom, it never meant anything to me.

I'm not religious. I love what Clive James said the other day. James is a brilliant writer, but he keeps on writing poems on stuff. And he said, "God doesn't have a leg to stand on."

My emotional investment started when I read the first scene of the actual drama [45 Years]. I can't explain it, there's no logic to it, but the notion of one's youth that somehow comes back but is gone, a man of my age connecting to that timing of life.