I'm an all-or-nothing kind of person, and when I become interested in something, I give it my all.

What I find sometimes that is tricky is if actors are using too much of their own life in a picture, in a scene, they get locked into a particular way to play the scene, and it lacks an immediacy.

As a young actor, people were trying to define who I was before I really knew that for myself. But I still remember thinking, "This is what I love doing, and I hope I'm going to be able to do it forever."

You can put the camera in places where you may not necessarily be able to put it there if I don't do the stunt. If it's character and it's storytelling, then we do it. We design the things around me. I don't do it just to do a stunt. It's storytelling for me and how I can best bring the audience into the action, bring the audience into the story. And that's how we always look at at.

You know what? I’m sure drug dealers on the street, in some way, they are making money. That’s what I equate it to. Here is the thing: you have to understand, with psychiatry, there is no science behind it. And to pretend that there is a science behind it is criminal

Saddam has committed many crimes against humanity and against his own people.

I had to train myself to focus my attention. I became very visual and learned how to create mental images in order to comprehend what I read.