I already love the idea that Barry has a colleague. It seems like a love/hate thing between my character and his already. They work together, so they clearly have some tolerance for each other, but they're just ruffling each other up the wrong way, constantly. I don't know whether that will lead to him being suspicious of Barry's identity or whether he'll have some clash with The Flash.

Languages, like our bodies, are in a perpetual flux, and stand in need of recruits to supply those words that are continually falling, through disuse.

I like all films whether it's dark or light, love, hate, whatever it is, I enjoy it.

I think it's pretty crazy to say you've been typecast at the age of 20 before you've even really started getting going.

One of my first things I was fascinated with when I got on set was how does Grant do all this Flash stuff? it looks so good as the end product, but how does the special effects team work? How does the visual effects team work?

I have met a couple of six-year-olds who were apparently quite excited to meet me - before they actually met me. And when they actually met me they ran behind their parents' legs and cowered for shelter.

I like a funny girl. Smart. Talented. I like someone who is good at music - that always intrigues me.