Everybody has something that chews them up and, for me, that thing was always loneliness. The cinema has the power to make you not feel lonely, even when you are.

I want to have a good time myself. I don't want to dread going to work no matter what the gig is. I think, selfishly, I will make sure that I have a good time; how about that?

Directing is a constant test of your communicative powers. You're constantly trying to explain people your vision of what you want and steer these tiny little details into a cohesive thing.

What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic heroes.

If you can feel like a good man in your 40s, you can feel like a better man in your 50s, a Superman in your 60s, and maybe a Spider-Man in your 70s.

The most accurate representation of how I feel is that I'm incredibly lucky to be working in this structure where people get paid millions to read the news on TV. And, yes, it is insane. And there is nothing I can say beyond acknowledging my immense good fortune, and being aware that I'm blessed, and aware that it isn't going to last forever.

Houston, we have a problem.