By and large, the making of motion pictures is all about, 'Let's ratchet it up.' And I always think, 'We don't need to ratchet this up.' If you do, don't call it 'Captain Phillips' or 'The Maersk Alabama.' Call it something else, and then you have carte blanche to do anything, down to sea serpents and aliens.

I am a lay historian by nature. I seek out an empirical reflection of what truth is. I sort of want dates and motivations and I want the whole story. But I've always felt, unconsciously, that all human history is that connection from person to person to person, event to event to event, and from idea to idea.

A lot of people would flee from what they think is award-show cheesiness, and I don't. I often joke that my speeches are very personal moments that play themselves out in front of billions of people.

But the battles against loneliness that I fought when I was 16 are very different from those I fought when I was 27, and those are very different from the ones I fight at 44.

I think 80 percent of the population are really great, caring people who will help you and tell you the truth. That's just the way it is. And I think 20 percent of the population are crooks and liars. It's just a fact.

Now, learning how to make a movie is something you can figure out in about an afternoon. The physics of it, the marks, the lights, etc. What's hard to do is to suspend your own feelings of self consciousness. The natural actors can do that; they can become part of a characterization and learn how to maintain it.

Mass-market movies have become about one thing. They kind of declare themselves right off the bat. . . . But when I go to see (a film), I want to be surprised. I want to see something I never expected. And when you get that, it should be celebrated.