I come from the school of That Horse is Not Dead.

I was never intimidated by change. I was like an army brat who had lived all around the world.

I think it's better to feel good than to look good.

There's such an advantage to being involved in the day-to-day details of each other's lives. It's a marvelous fabric to exist in.

No journalist has ever been in my house and no photographs have ever been taken of where I live. I don't parade my family out for display, which is the way it will stay.

Making a film is to make sure that everybody looks forward to coming to work.

As a young man, even if I was going to see a play or a film by myself, I didn't feel like I was alone. There was something that was unfolding up there that brought me into it. And I recognised that. For those two hours, it made me feel like I belonged to something really good.