I know that my work in this case is magnified by the fact that the streets of heaven are too crowded with angels. We know their names. They number a thousand for each one of the red ribbons that we wear here tonight. They finally rest in the warm embrace of the gracious creator of us all. A healing embrace that cools their fevers, that clears their skin, and allows their eyes to see the simple, self-evident, common sense truth that is made manifest by the benevolent creator of us all...

I'm not saying I'm not bummed if a movie doesn't do well, but that isn't the final analysis of whether it's any good.

Prior to Saving Private Ryan I never worked with men. I was always working with some babe, and it was always about falling in love, and it just got turned around. I'm not looking for any particular kind of story. I wait until it comes across my desk.

Motion pictures are just beginning to live up to their true potential of being immersive experience - going from beyond black and white flickering images to fully immersive 3D color high-definition. You don't even know where the real world starts and the fake world begins. And yet, none of that's going to matter unless the story and the emotions that they allow us to become invested in are something that we can recognize. Pixar is able to do this in ways that almost defies speculation.

It was incredibly cheesy set with torches [TV's Survivor] - it looked like the lobby of the Enchanted Tiki Room at Disneyland. And here as some guy pulling names out of a coconut, and I said, 'This is the thing that has made American mass media stop in their tracks?

One thing that was amazing about World War II was that everybody signed up for the duration plus six months. Fliers got to leave combat after 25 missions, or 35 missions, but other than that, you were in it. You were part of the great effort, until, oh boy, six months after it was over.

I was never intimidated by change. I was like an army brat who had lived all around the world.