Making a film is to make sure that everybody looks forward to coming to work.

Believing is seeing and seeing is believing.

When you're going to try and have people talk in a room and actually reflect life as we know it and have people recognize themselves and their own street and their own house in it, well then you're aiming for the high country and it's a much bigger gamble. You can interview all the marketing gurus and the people in charge of, you know, the people you gotta fight with in order to get your seats here, and they all talk about release dates and counterprogramming. At the end of the day, it's gotta be a good movie.

If I have no connection with the character, then it's all fake - it's just blah, blah, blah.

But I also think all of the great stories in literature deal with loneliness. Sometimes it's by way of heartbreak, sometimes it's by way of injustice, sometimes it's by way of fate. There's an infinite number of ways to examine it.

As a boy Id often spend my days biking on riverbeds and arroyos and come home exhausted. I realize now how much I took for granted having the natural world so close at hand. It wasnt until I moved away, first to New York and then to Los Angeles, that I realized how much I missed the outdoors.

The most accurate representation of how I feel is that I'm incredibly lucky to be working in this structure where people get paid millions to read the news on TV. And, yes, it is insane. And there is nothing I can say beyond acknowledging my immense good fortune, and being aware that I'm blessed, and aware that it isn't going to last forever.