I've made quite a number of movies like Castaway and a few others where I'm the only guy in the movie and the only place to be is right next to the camera in costume ready to go in order to get it. The years, and more specifically probably the four months prior to beginning shooting, is where the big preparation is that the director does because I knew we were going to get on the set. And the good news is, if you're the boss, if it ain't good, you don't use it. You just cut it out.

A story has the opportunity to enlighten us, because as we connect the extraordinary moments on film with the ordinary moments of our lives, we ask ourselves, "What am I going to do the next time I'm scared? What would it be like to say goodbye to my family for the last time?"

Motion pictures are just beginning to live up to their true potential of being immersive experience - going from beyond black and white flickering images to fully immersive 3D color high-definition. You don't even know where the real world starts and the fake world begins. And yet, none of that's going to matter unless the story and the emotions that they allow us to become invested in are something that we can recognize. Pixar is able to do this in ways that almost defies speculation.

In the early days you have a tendency to intellectualize, but you're really just trying to sound smart and score with the chicks.

I had to keep breathing. Even though there was no reason to hope... I stayed alive. I kept breathing. And one day my logic was proven all wrong because the tide came in, and gave me a sail. And now, here I am. Im back... Because now i know what I have to do now. I have to keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring?

Even the simplest choice can make a jaw-dropping difference in our world.

I would not want to live in a country that would have me as a leader in any sort of political bent.