I try not to lie to people - the only way to control the way you're perceived is to tell the truth.

I'm not saying I'm not bummed if a movie doesn't do well, but that isn't the final analysis of whether it's any good.

The most accurate representation of how I feel is that I'm incredibly lucky to be working in this structure where people get paid millions to read the news on TV. And, yes, it is insane. And there is nothing I can say beyond acknowledging my immense good fortune, and being aware that I'm blessed, and aware that it isn't going to last forever.

I don't think anybody's mind's gonna be changed.

The nature of motion capture is only going to work for certain films. It's not going to put any other type of movies out of business.

I am a lay historian by nature. I seek out an empirical reflection of what truth is. I sort of want dates and motivations and I want the whole story. But I've always felt, unconsciously, that all human history is that connection from person to person to person, event to event to event, and from idea to idea.

I will entertain anything; it doesn't matter. You know, it's not obviously about the price, it's not about who, it's kind of about when and what. It's material, that's all.