I love the acting community at Cambridge. It's really quite committed and serious, since the days of Derek Jacobi and Ian McKellen right through to Emma Thompson and Hugh Laurie.

I THINK IF YOU'RE GOING TO BE CONVENTIONALLY ROMANTIC YOU'VE GOT TO GO ALL THE WAY: A BEAUTIFUL DINNER SOMEWHERE LOVELY, WITH BOAT-LOADS OF FLOWERS, CHOCOLATES AND CHAMPAGNE. BUT IT MIGHT ALSO BE NICE TO WRAP UP WARM AND SIT ON A ROOF SOMEWHERE, WITH A CUP OF HOT SOUP AND YOUR GIRL, WATCH THE PLANES COME IN OVER LONDON AND LISTEN TO THE NIGHT.

My instinct is to keep people guessing. I think as an actor your greatest strength is your versatility, I suppose. The blanker the canvas, the easier it is to project the illusion of a character onto it. I think there are many actors who do that very successfully.

I never get afraid of things. I only get excited.

Showing young children in these communities, that there are outlets for their feelings, that there is room in a space for their stories to be told, and that they will be applauded - and it's not about ego, it's about connection: that their pain is everybody else's pain.

One of the great flaws that we all share is that we think everyone else is cooler, everyone else is sexier; everyone else has all the answers. That was me too.

Every time you consider a job, you have to check in with your inner compass and say, ‘Does this fit in with how I see what the work is for? Is this going to be something interesting and valuable to contribute to the world?’