There are literally billions of people on the planet who live in an unimaginable poverty that's not in any way different from the plight of the people in Orchid. And you can't have the splendor of Rodeo Drive without the sweatshops of Indonesia; those two things go hand in hand.

There's a lot of injustice in the world and it's what I sing about in my music and what I try to confront in my life as an activist.

For the millennium [New Year's Eve], you really have a choice to make. You either have to be naked with your head on fire and a shotgun in Bali or else you have to spend time with friends or family around the fireplace. And I'm choosing option B

I didn't choose to be a guitar player. That was something that felt like it was chosen for me. And with that blessing and curse, I, throughout my entire career, it's been my job to weave my convictions into my vocation. And whether I'm standing in the streets of Chicago or the Occupy Wall Street or in Madison, Wisconsin, my job is to steel the backbone of people on the frontlines of social justice struggles, and to put wind in sails of those struggles. And people who are fighting on a, on a daily basis, at a grass roots level, for the things that I believe in.

When I am most successful as a guitar player is when I'm able to just sort of lose myself. You stop thinking about technique or anything like that and just trying to evoke the emotion of that song brings, which is a very strong emotion for me.

I literally integrated the small town of Libertyville, Illinois. I was the first person of color to reside within its borders.

In America, we have freedom of choice. But some are free to choose between Lamborghini and Rolls Royce while others are free to choose which dumpster they're going to have their meal out of next. Some are free to choose which, you know, homes and farms to foreclosed on, while others choose which bridge they're going to sleep under tonight.