The real estate agent had to go door-to-door in the apartment building we wanted to rent, asking if it was OK for this interracial family - my mom is white and I was a 1-year-old half-African kid - to live in the apartment building.

America touts itself as the land of the free, but the number one freedom that you and I have is the freedom to enter into a subservient role in the workplace. Once you exercise this freedom you’ve lost all control over what you do, what is produced, and how it is produced. And in the end, the product doesn’t belong to you. The only way you can avoid bosses and jobs is if you don’t care about making a living. Which leads to the second freedom: the freedom to starve.

If aliens came down and challenged us to a Battle of the Bands to decide the fate of Planet Earth, I would feel very confident putting early Van Halen forward as our champion.

A good song should make you wanna tap your foot and get with your girl. A great song should destroy cops and set fire to the suburbs. I'm only interested in writing great songs.

My take is that there's two ways to approach history. You sit in your armchair and you watch it on the news and you return to your PlayStation. Or you get out in the streets and you make it. Like, when those Supreme Court justices, you know, legalize desegregation, it wasn't due to their infinite wisdom. It's because people whose names you do not read about in history books, people whose faces you will never see, were the ones who struggled and sacrificed, sometimes gave their lives, to make this country a more equal one. When, it's like those people don't make history, it's us.

There are literally billions of people on the planet who live in an unimaginable poverty that's not in any way different from the plight of the people in Orchid. And you can't have the splendor of Rodeo Drive without the sweatshops of Indonesia; those two things go hand in hand.

I came late to the genre of folk music.