My take is that there's two ways to approach history. You sit in your armchair and you watch it on the news and you return to your PlayStation. Or you get out in the streets and you make it. Like, when those Supreme Court justices, you know, legalize desegregation, it wasn't due to their infinite wisdom. It's because people whose names you do not read about in history books, people whose faces you will never see, were the ones who struggled and sacrificed, sometimes gave their lives, to make this country a more equal one. When, it's like those people don't make history, it's us.

My parents met in Kenya. My father is African, is Kenyan. The Kenyan side of my family was involved in the anticolonial movement.

There are literally billions of people on the planet who live in an unimaginable poverty that's not in any way different from the plight of the people in Orchid. And you can't have the splendor of Rodeo Drive without the sweatshops of Indonesia; those two things go hand in hand.

I literally integrated the small town of Libertyville, Illinois. I was the first person of color to reside within its borders.

The reason why many young people in the Vietnam War era were active was their lives were threatened by the draft and they were going to perhaps be forced to go overseas and fight in an immoral war.

Bad presidents make for great music, and I'm gonna do my best to provide it.

There's a unique component of music that is different from, the written pamphlet or a speech. There's something, when you get the right combination of rhythm, melody and the right lyrical couplet, that feels like truth in the reptilian brain. There's something hardwired in our D.N.A.. And when you get a large group of people singing together in solidarity, it's something that, in my experience, and I've played countless demonstrations and protests through the years, it's something that can really help a struggle.