My job is to steel the backbone of people on the frontlines of social justice struggles, and to put wind in sails of those struggles. And people who are fighting on a, on a daily basis, at a grass roots level.

I think I was meant to be a musician who speaks his mind about social justice issues. And I grew up in a lower middle class family, but a family that had enough money to buy a $50 guitar and a $50 amplifier, and had a basement to rehearse in. What I think the global human cost of this horrific poverty is how many Mozarts or curers of cancer are slaving away in the Maquiladoras along the Tijuana border, or in the Indonesian sweat shops? There are billions of people who will never become the people they could be, or the people they were meant to be, due to crushing poverty.

The most powerful music is music with purpose.

There's not a country on earth that doesn't feel that it might be invaded by Donald Trump's regime.

Then about 12 years ago it dawned on me that folk music - the music of Woody Guthrie and Phil Ochs, early Bob Dylan, Johnny Cash, Pete Seeger - could be as heavy as anything that comes through a Marshall stack. The combination of three chords and the right lyrical couplet can be as heavy as anything in the Metallica catalogue.

In our country there's never been a successful progressive struggle that did not have a soundtrack, whether it was the civil rights movement, workers' rights movement, women's rights movement. There's got to be songs at the barricades, and those are the kinds of songs that I try to write.

In a world of bands called Limp Bizkit and Hoobastank, Electric Sheep rolls off the tongue like a Shakespearean love sonnet. Leave me alone.