Bashing the elite is what I'm all about in my music because they absolutely don't deserve the privileged position that they're in, and we're seeing this around the globe right now.

What draws people to the instrument is the love for guitar players that play a certain way. I mean, even though it wasn't intentional, it was hard to avoid copying Eddie Van Halen. He was basically the *bleep* back then.

A good song should make you wanna tap your foot and get with your girl. A great song should destroy cops and set fire to the suburbs. I'm only interested in writing great songs.

I didn't choose to be a guitar player. That was something that felt like it was chosen for me. And with that blessing and curse, I, throughout my entire career, it's been my job to weave my convictions into my vocation. And whether I'm standing in the streets of Chicago or the Occupy Wall Street or in Madison, Wisconsin, my job is to steel the backbone of people on the frontlines of social justice struggles, and to put wind in sails of those struggles. And people who are fighting on a, on a daily basis, at a grass roots level, for the things that I believe in.

I have another name for what they're terming whistleblowers, and that's righteous heroes. From Bradley Manning to Snowden. They're people of conscience who are unwilling to turn a blind eye to the crimes of our government. And thank goodness for them.

Sacrifice and neon lights, Slaveships don't wait, Love many, trust few, And don't be late...

Well, I don't care for Paul Ryan's sound or his lyrics. He can like whatever bands he wants, but his guiding vision of shifting revenue more radically to the one percent is antithetical to the message of Rage.