Bashing the elite is what I'm all about in my music because they absolutely don't deserve the privileged position that they're in, and we're seeing this around the globe right now.

I think I was meant to be a musician who speaks his mind about social justice issues. And I grew up in a lower middle class family, but a family that had enough money to buy a $50 guitar and a $50 amplifier, and had a basement to rehearse in. What I think the global human cost of this horrific poverty is how many Mozarts or curers of cancer are slaving away in the Maquiladoras along the Tijuana border, or in the Indonesian sweat shops? There are billions of people who will never become the people they could be, or the people they were meant to be, due to crushing poverty.

I think that new artistic challenges help you grow both as a person, as an artist, and then they feed back into your other work, and tend to magnify it.

Sacrifice and neon lights, Slaveships don't wait, Love many, trust few, And don't be late...

Well, I don't care for Paul Ryan's sound or his lyrics. He can like whatever bands he wants, but his guiding vision of shifting revenue more radically to the one percent is antithetical to the message of Rage.

There are many fans of hard rock music that have been wrongly pigeonholed as apathetic. This music is not music for the elitist coffeehouse culture in SoHo. It' s rock 'n' roll music for kids across the land, and I think that makes it much more subversive in a way, in that it has the form and the function of a powerful, populist music, but it can carry very incendiary messages.

Amazingly talented singer who sang like an angry angel