When you create stuff, you're always going to be progressing and where you're at a year down the line, as the creator, it's always going to feel immature. You're going to notice the flaws and the things that you've learned in that year aren't going to be there. So, I think it's important to see stuff as a capture of time - that's what I was doing at that time - and not be ashamed of it. That's how I try to approach music.

There's always a part of my brain saying: 'Stop getting comfortable. Don't relax.' Because I find it difficult to write when I'm happy. I have to go out there and get battered up and bruised to write anything. I have to feel something.

I would consider myself a perfectionist, yeah. I don't think that is always that helpful, either. Sometimes it's good to be a little more open-minded; you can overthink things when things are actually fine, and it's that moment that you lose it. Looking back, sometimes I've made mistakes from being a perfectionist.

Songs are about just being totally honest and putting those words to music.

You don't have to be as good a writer to write a song; it's a very different process to writing straight prose. To learn how to write prose takes a lot of years of practice.

I like it when people are opinionated. I like an opinion. I like people that will fight for their opinion 'til an argument and through an argument. When they believe in something, they fight for it. I like those people that are perhaps sometimes too full of life - perhaps it's very difficult to be around them; they're not easy going. But I like being around people like that.

Playing live is very exhausting, which is partly why I feel so tired today. But I've always wanted to live like that. I'd rather feel the experience than to be sort of feeling something in between and dull and numb. I love feeling the highs and the lows, it makes life far more exciting.