Like for Einstein, and for people who create nuclear weapons, the problem with the pursuit of knowledge and the pursuit of the greater good is that it invariably leads to things you weren't expecting.

It was very much that feeling of having worked so hard on Da Vinci's for three years without seeing sunlight that, unless the right thing came along, I didn't want to do it.

Prior to [streaming], the idea of sitting down and watching a show every week seemed like a great idea.

I went to London Fashion Week for the first time, after I got the job [on The Collection ], and it completely changed the way I perceived it. I thought, "This is a far bigger operation than I ever expected, and it has far more worth than I ever gave it before." It definitely changed my view of the fashion world.

The other great thing about it, that seems to be the case in streaming, is that a lot more scripts are written before you start. Because they are planning on allowing it all up at one time, you have four or five scripts to read and an outline of where it's going to go. The writers aren't chasing their tails as much. You're able to see the beginning, middle and end of a storyline, and that is rare. Streaming allows that, in a way that network TV doesn't.

Like for Einstein, and for people who create nuclear weapons, the problem with the pursuit of knowledge and the pursuit of the greater good is that it invariably leads to things you weren't expecting.

My fishing hole is deader than...a dead thing that's dead.