The pervasive brutality in current fiction - the death, disease, dysfunction, depression, dismemberment, drug addiction, dementia, and dreary little dramas of domestic discord - is an obvious example of how language in exploitative, cynical or simply neurotic hands can add to the weariness, the darkness in the world.

Often, moreover, it is...that aspect of our being that society finds eccentric, ridiculous, or disagreeable, that holds our sweet waters, our secret well of happiness, the key to our equanimity in malevolent climes.

For most people, self-awareness and self-pity blossom simultaneously in early adolescence. It's about that time that we start viewing the world as something other than a whoop-de-doo playground, we start to experience personally how threatening it can be, how cruel and unjust. At the very moment when we become, for the first time, both introspective and socially conscientious, we receive the bad news that the world, by and large, doesn't give a rat's ass.

At the typewriter you find out who you are.

...language is not the frosting, it's the cake.

When we accept bad art because it's good politics, we're killing the swan to feed the chickens.

If the novelist isn't surprised by where his book ends up, he or she probably hasn't written anything worth remembering.